fall 2017
Table of Contents
Return to Home PageLimits New York Brian Jerrold Koester
What It Is About to Do Le Mouton Noir Dessa Bayrock
Unsolicited Relationship Advice Erin Kirsh
The Malice in My Footsteps Conyer Clayton
Familiar Pianissimo Jennifer van Alstyne
Rebelling Unrest Errata Dani Spinosa
* (It was a lake, used to bodies :islands) * (Arm over arm you expect) Simon Perchik
Somebody Else's Heroes Small Change Jocko Benoit
Stereotypes like like i love you Andrew Warner
The Travel Section Ghost Train Christopher Levenson
Persuasion Freedom of Speech Emma Winsor Wood
Ode to a Desiccated Olive (Love is easier the headless way) James Cagney
qualifications for your consideration Laura Yan
Pamplemousse Dominique Bernier-Cormier
cold bright waves for sorrow leaf kotasek
Ecstasy Like Water to Soften Leather Jasmine Sky
Pianissimo
Quandariness: The Question of Instrument
Remains debate of expression over
Intention, an adoption of resource.
Bach sees his first piano: deathbed
Beast—sound & timbre—the unimagined
Elements of slave-work composition.
Scat jazz, ultimate violate: frequent
Improv: the ‘x’ of instrument ‘x’ or
Delight of structural sound integrity
Beckons argument of dynamics &
Pressure & pedals: pianissimo.
Gould: indifferent to suitability,
Plays chromatic fantasia first &
Last time, conducts himself with waved hand, an
Off-kilter tenor. Debate comes to end.