spring 2020
Table of Contents
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There Is No Substitute for Good Planning
Erin Kirsh
Monologue of a Fly's Shadow
Monologue of a Cow's Shadow
Danielle Hanson
Communion of Tongues
Hege A. Jakobsen Lepri
Family Dinner
In Which I Re-name My Father
Poem Containing Only Words I Hate
griffin epstein
Another Vision
Patricia Nelson
Stem of Old French Creistre, To Grow
Of Stinging Nettle
Page Hill Starzinger
she is in the kitchen now
Nora Pace
sold separately Lesley Battler
blue light
Stephanie Yue Duhem
A Symptom of Resignation
The Gee Whiz Element of Tropical Storms and Symphonies
Jen Karetnick
How Do I Love Thee? Let Me Count the Nachos
Jessica Covil
Supermarket Lobsters
Robbie Gamble
Like the best myths
Medusozoa
Sarah Lyons-Lin
Six Gray Moons on a Screen
Eleanor Kedney
Breathturning Chris Checkwitch
A Twohanded Cut
The Tornado Cut
The Pandora Cut
Torben Robertson
Humid Weather
Me of Me
Catherine Strisik
Tchaikovsky, Age 52, Finds His Inspiration
John Barton
Moon Turned Her Half Face From Me
Lawrence Feuchtwanger
Tchaikovsky, Age 52, Finds His Inspiration
St. Petersburg, Paris, and New York, 1892
Their antics awkward, he consents to score
Mouse soldiers, candies flouncing, ropes of hoar
Frost enthralling forests of pine, a nut
Cracker too tight-lipped to voice the stunted
Prince within, the entr’acte lacklustre
Lead orbs drooping off the bough, sputtering
Candles shunning flame, few snowflakes waltzing
Some cloying waif named Marie or Clara
Too slow-limbed to pirouette or soar
Till flu fells his sister, her vanished pulse
Restringing blown snow, crystallizing cor
Anglais, celesta, timpani, and harp
The witless whittled prince unshelled a man
Making steps for her, no horn abandoned.